Artists, Canadian

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Artists, Canadian

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Artists, Canadian

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Artists, Canadian

12 Archival description results for Artists, Canadian

12 results directly related Exclude narrower terms

Arthur Horsfall fonds

  • Fonds
  • 1940-1995

Fonds consists of professional records generated by Manitoba painter Arthur Horsfall, 1940-1995. The bulk of the collection consists of original drawings, sketches and sketchbooks, designs, and watercolors, as well as slides and photographs of his art works. Also included are correspondence, catalogues, and other records relating to the sale and exhibition of his work, along with correspondence with art galleries, art schools, arts organizations, professional associations, and employers. Publications featuring Arthur Horsfall and other artists are also present.

Bill Lobchuk fonds

  • SCNURA 88-75
  • Fonds
  • 1955-1989

Fonds consists of personal, professional, and business records generated by Winnipeg printmaker and screen shop operator Bill Lobchuk. The records are arranged in ten series: Appointment Books (1979-1988); Correspondence (ca. 1973-1989); Financial Records; Personal (1972-1984); General Files (1955-1980s); Grand Western Canadian Screen Shop (1968-1984); Newspaper Clippings (1971-1988); Photographs and Negatives (1966-1980s); Professional Organizations (1974-1987); Publications (1972-1989); and Slides (1970-80). Of particular interest are Lobchuk's extensive personal and professional correspondence with artists, art galleries and arts organizations, and business records of the Grand Western Canadian Screen Shop which include correspondence, financial records and other documents relating to the establishment and operation of the shop. Also noteworthy are publications, articles, exhibition catalogues, invitations, posters, publicity materials, photographs, transparencies, and slides relating to Lobchuk's own work, and to products of the Screen Shop, as well as files documenting his involvement with various professional organizations.

Claude Breeze fonds

  • Fonds
  • 1954-1996

Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.

David Gilhooly fonds

  • Fonds
  • 1969-1995

Fonds consists of printed material relating to the artistic career of David Gilhooly, 1969-1995. The records are arranged in four series: Biographical Information; Newspaper Clippings, Gilhooly and Art, Exhibitions; Catalogues, Exhibition Invitations featuring David Gilhooly; and Publications featuring David Gilhooly.

David Thauberger fonds

  • Fonds
  • 1954-1989

Fonds consists of personal and professional papers of Saskatchewan artist David Thauberger, (1954-1989). Included are: ceramic sculptures, paintings, and prints created by Thauberger; awards and degrees; financial records; business and personal correspondence; a series of files documenting Thauberger's dealings with numerous Canadian art galleries; and photographs, slides and publications relating to Thauberger and his work. The fonds also contains the artist's extensive collection of articles, books, catalogues, invitations, correspondence, newspaper clippings, notes and writings, art works, photographs, slides, and sound recordings relating to Saskatchewan folk art. The collection includes recorded interviews, art works, and slides and photos depicting artworks by numerous artists, among them Ed Fletcher, Ann Harbuz, Molly Lenhardt, W.C. McCargar, Sam Spencer, Fred Neibrandt, Fred Moulding, and many others. Within the slides, some Quebec and Nova Scotia coverage is also present.

Don Proch fonds

  • Fonds
  • 1963-1988

Fonds consists of the professional papers of Manitoba multi-media artist, Don Proch. Included are: a chronologically arranged series of drawings and sketches (1963-1986); small qualities of business correspondence (1971-1988) and financial records (1973-1986); photographs and slides depicting works of art by Proch, as well as travel shots; and publications, news clippings, and promotional material relating to the artist and his work.

Doug Morton fonds

  • Fonds
  • 1919-1986, predominant 1943-1986

Fonds consists of personal and professional papers chronicling the artistic and academic career of Doug Morton. Included are: Original drawings and sketches; Photographs and slides depiciting family, friends, artists, exhibitions and studios, and works of art by Doug Morton and others; and publications including exhibition catalogues, invitations, articles, publicity material, and clippings relating to Morton and other artists. A series of general files contain personal and business correspondence, biographical information, financial records, material relating to Morton's art projects, speaking engagements, jurying activities, and professional associatiions, and to his various work appointments.

Margaret Messer fonds

  • Fonds
  • 1916-1986

Fonds consists of personal and professional papers created by Margaret Messer. Arranged in six series (Education, General, Teaching, Organizations, Publications, and Scrapbooks) the records document her activities as a teacher, art educator, writer, and illustrator, as well as her own education and training and her involvement with several professional groups. A large part of the collection contains information on art education programs at Balfour Technical School (1945-1974) and at the University of Saskatchewan, Regina Campus (ca. 1966-1984) where she was a significant influence on program development. Of particular note is the series of publications which includes articles and books written or illustrated by Messer (1946-1973). Publications of the Saskatchewan Society for Education through Art (SSEA) are found in the Organizations series, along with papers, correspondence, conference materials, minutes, newsletters, and other records pertaining to her involvement with the SSEA (1961-1985), the Canadian Society for Education through Art (1962-1984), the Saskatchewan Arts Board (1947-1970), and others. General Files (1927-1986), containing biographical information, art commissions, personal and professional correspondence, curriculum materials, travel logs, drawings by Messer, and memorabilia, provide additional insight into her life and career.

Neutral Ground fonds

  • Fonds
  • 1982-1990

Fonds consists of information on all the exhibitions held at Neutral ground from 1982-1990, with a few exceptions. The collection also contains photographs, slides, and posters.

Ron Bloore fonds

  • Fonds
  • 1925-1995, predominant 1960-1995

Fonds consists of drawings and sketches by Bloore; correspondence with public and private art galleries; personal correspondence, including artists Ted Godwin, Ray Kiyooka, Ernest Lindner, David Thaughberger, Claude Breeze, Ken Lochhead, Doug Morton, and Jan Wyers; catalogues, notices, posters, and other publicity materials relating to exhibitions of artworks by Bloore and other artists; articles by and about Bloore; organization, committee, and general subject files relating to Bloore's professional and charitable activities; newspaper clippings;. lecture notes, correspondence, and other records relating to his teaching career, chiefly at York University; personal financial, health, and legal records, including extensive documentation and photographs relating to Bloore's role as executor of the Theodore Allen Heinrich estate; and photographs, negatives, and slides depicting works of art by Bloore and other artists, family, friends, gallery openings, and Bloore's travels in North and Central America, Europe, and Africa; and sound recordings pertaining to the "Regina Five" and Innuit art.

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