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Only top-level descriptions Vancouver Arts and culture
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Alan Twigg fonds

  • SFL MsC 63
  • Fonds
  • 1975-2008

The fonds consist of materials that relate to Twigg’s work as a writer, publisher and co-founder of the B.C. Book Prizes in the years 1975 to 2008. The fonds is arranged in fourteen series: Correspondence, Political Campaign and Poetry of Bud Osborn, Vancouver Theatre, Television Interviews, Twigg’s Book Research, George Woodcock’s Translation of Proust, Audio Cassette Interviews, Transcripts of Interviews, Authors’ Photographs and Negatives, Special Items, B.C. Book Prizes, Miscellaneous, Prairie BookWorld Founding Records and Twigg’s Newspaper and Magazine Articles.

Materials include incoming and outgoing correspondence, taped television interviews, transcripts of television interviews, drafts of Twigg’s literary works, unpublished manuscript of George Woodcock’s translation of Proust, audio cassette interviews, transcripts of interviews, photographs, banners, awards, legal documents, financial records, notes and newspaper and magazine clippings of Twigg’s published articles.

Twigg, Alan

Artropolis fonds

  • Fonds
  • 1984-2005

The fonds consists of records relating to the planning, administrative, fundraising, promotional, documentary and curatorial activities of the Artropolis exhibitions. These materials include: budgets, grant applications, proposals, research files and site plans; correspondence, financial statements, fundraising letters, logos, licenses and contracts, employee and volunteer files, minutes and reports; press releases and sponsorship agreements, banners, brochures and posters; and artists’ résumés and applications, attendance records, comment books, exhibition catalogues, scrapbooks, photo albums, photographs, video recordings, and artwork.

The records are arranged into the following sous-fonds: Artropolis 87 (1984 - 1990); Artropolis 90 (1987 - 1991); Artropolis 93 (1990, 1992 - 1993); Browser Artropolis 97 (1992, 1997 - 1998); Artropolis 2001 (1988, 1999 - 2001); Artropolis 2003 (1988, 1992, 2001 - 2005).

Artropolis

Bailey Brothers Company fonds

  • Fonds
  • [ca. 1888-1900]

The fonds consists of photographs of scenes, streets, and group portraits in Vancouver, B.C., of Bailey Brothers Company and the firm of Bailey and Neelands.

Bailey Brothers Company

BOO Magazine fonds

  • Fonds
  • 1994-1997

Fonds consists of materials accumulated during the editorial process of putting together Boo. Included are letters to the editor, general correspondence, essays, articles, poems, commentaries, edited works, interviews, invoices, logo design, illustrations, photographs, slides, mailing lists, flyers, brochures, grant guidelines, slides, newspaper clippings, and issues no. 1 to no. 10 of the publication itself. Contributors to the magazine, in addition to the editors, include Gerald Creede, Michelle Normoyle, Brice Canyon, Keith Wallace, Andrew Klobucar, Andrea Fatona, Janis Bowley, Melissa Wolsak, billy little, Arni Haraldsson, Judy Radul, Colin Smith, Susan Schupli, George Stanley, Scott Watson, Janet Lakeman, Dodie Bellamy, Peter Culley, Kevin Killian, Robert Ballantyne, Myfanwy MacLeod, Peter James Hudson, Erin OBrien, Keith Higgins, Geoffry Topham, Peter Cummings, Michael Turner, Naomi Foyle, Andrea Anderson, Jeff Deby, Clint Burnham, Bob Perelman, Dorothy Trujillo Lusk, Kevin Davies, Louis Cabri, Wayne Arsenault, Zainub Verjee, Zhao Tie Hai, Hank Bull, Robin Peck, Lucy Hogg, Wayde Compton, Tim Davis, Sharla Sava, Warren Murfitt, Jacqui Nolte, Gerry Gilbert, Patrik Anderson, Shannon Oksanen, Erin Moure, Sianne Ngai, G.B. Jones, David Bromage, Rob Manery, Miles Champion, Neil Wedman, Gerald Creede, Aaron Shurin, Brian MacNevin, Caroline Bergvall, Kathy Slade, Bruce Andrews, Tim Atkins, Glenn Alteen, Mark Klobucar, Stuart Blackley, Christine Corlett, Mair Dumett, Tom Raworth, Damon Crain, Geoffry Farmer, and Brian Jungen.

BOO Magazine

Coral Topping fonds

  • Fonds
  • 1922-1980

The fonds consists of manuscripts of Topping's articles and reports in the fields of sociology and criminology; drafts of his stories and poetry; examples of questionnaires and other material from his research projects; and scrapbooks and other autobiographical materials. The records include manuscripts, correspondence, forms, and clippings and other published materials.

Topping, Coral Wesley, b. 1889

Doreen Walker fonds

  • Fonds
  • 1660-1990, predominant 1920-1985

The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.

Walker, Doreen, 1920-

Dorothy Maud Somerset fonds

  • Fonds
  • 1900 - 1991

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.

Somerset, Dorothy Maud

Edwards Brothers fonds

  • Fonds
  • 1888-1900, 1920-1931

The fonds consists of portraits and photographs of early Vancouver (1888-1900) and Victoria as well as portraits and photographs of B.C. towns (1920-1931).

Edwards Brothers

Elsie Allan theatre collection

  • UVICARCH AR001
  • Collection
  • 1925-1980

The collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.

Eric Metcalfe fonds

  • Fonds
  • 195?-199?, predominant 1968-1976

The fonds consists of textual and graphic materials relating to the development of Metcalfe's art projects and themes, including Leopard Realty and Banal Beauty Inc.; photographs and clippings documenting Metcalfe's works; and materials sent and received through Metcalfe's participation in several Mail Art networks, including Fluxus West, General Idea and Image Bank.

Materials from each of the abovementioned categories are organized into three series, based on content: Art Projects, Correspondence and Collected Materials. The series and subseries contained in this fonds break down as follows:

4.1 Art Projects series
4.1-1 <i>Look at This</i> subseries
4.1-2 <i>Banal Beauty Inc. / Brutopia</i> subseries
4.1-3 <i>Leopard Realty</i> subseries
4.1-4 <i>Howard Hughes</i> subseries
4.1-5 <i>Spots Before Your Eyes</i> subseries
4.1-6 <i>Howard Hughes</i> subseries
4.1-7 Films and videos subseries
4.1-8 Artworks and exhibitions photographs subseries
4.1-9 Artworks and exhibitions documentation subseries
4.2 Correspondence series
4.2-1 Mail art subseries
4.2-2 Mail art compilations subseries
4.2-3 General and business correspondence subseries
4.3 Collected materials series
4.3-1 Western Front subseries
4.3-2 Collected images subseries
4.3-3 Collected publications subseries
4.3-4 Collected ephemera subseries
4.3-5 Bag of marbles subseries

Metcalfe, Eric, 1940-

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