Accession includes the minute book from the founding year of 1942 until 1955, collective agreements between the Oil Chemical and Atomic Workers' International Union and S. Cunard & Co. Ltd, E.S.F. Ltd, and Archibald Fuels Ltd. Also included in this fonds are photographs of picket lines, and floats, as well as local publications issued by the Oil Chemical and Atomic Workers' International Union Local 9-825 to all of its current members. The fonds also includes sample meeting posters for the union meetings, a membership request slip for Local 546, and a document from the Hon. Clarence Llyod Gosse to John Yates regarding his membership to the Provincial Apprenticeship Board.

This fonds consists of diaries; correspondence; manuscripts of articles, books and sermons; published works; research files and class notes; scrapbooks; an assortment of personal materials; and photographs.

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

This collection consists of the records of Allison Profitt and his wife Ruby Dennis Profitt of Lower Freetown, Prince Edward Island. The records include correspondence, notebooks, clippings, photographs, and other material. The collection is divided into two series: Allison Profitt and Ruby Dennis Profitt.

The scrapbook belonging to Bertha MacKenzie McNeill contains clippings, mainly from Prince Edward Island newspapers, about a variety of topics of interest to the owner. A large percentage of articles are about Islanders and other Canadians in World War II. Subjects of other clippings include royalty, marriages, deaths and prominent news items.

The fonds contains three small scrapbooks, which cover the years 1932-1939, 1939-1949, and 1950-1959, respectively. The scrapbooks contain newpaper clippings from the Brandon Sun, the Winnipeg Free Press, and the Flin Flon Daily Miner. The scrapbooks also contain exhibition and meeting programs from the Brandon Club. Fonds also contains meeting minutes for the years 1932-1972.

Fonds is composed predominantly of two scrapbooks, one of which covers the years 1953-1960, the other the years 1960-1965. The scrapbooks contain newspaper clippings about the Musical Club's meetings and performances. There is also a file containing miscellaneous correspondence, the constitution and bylaws of the group, the club's membership lists from 1959-1964, and questionnaires about the Women's Musical Club.

The fonds contains a scrapbook kept by Marian Victoria "Queenie" Burgess Peake between 1901 and 1907. The scrapbook contains clippings, watercolour sketches, and quotes which have been copied into the book. Some loose newspaper clippings, a couple of postcards, and a negative of an unidentified woman are also tucked inside the scrapbook. The fonds also contains a letter written by Barbara Burwash (daughter of Charles Wright and Frances May Burgess; neice of Marion Burgess Peake) to a Mrs. J. Peake in Charlottetown in 2002. The letter contains genealogical information about the Burgess family.

Item is a scrapbook that was compiled for the 200th Anniversary of Sydney celebrations that includes reproductions of photographs, event tickets, and newspaper articles, as well as listings of Black men who served during wartime, and a history of the Black population in Sydney.

Fonds consists of papers created and/or accumulated by Catherine Creighton and her family, including those of her husband Graham and children Edith, Anna, Lois, Frieda, and Howard. While the fonds includes correspondence from Wilfred Creighton to his siblings and parents, Wilfred's papers are not included as a sous-fonds within the fonds.

The bulk of the fonds consists of correspondence from family and friends, but also includes diaries, photographs, financial papers, personal papers, memorabilia, print materials, scrapbooks, articles, and artwork. Records in the fonds provide a well-rounded depiction of the family's daily activities and lives - from their relationships with each other, their extended family, and their community, to their financial status, values, education, and careers.